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一、建立在戏剧“真实”基础上的“静态戏剧”英国戏剧理论家斯泰恩在《现代戏剧理论与实践》一书中曾说道,“戏剧史是一部反动与反叛的历史”。纵观整个西方现代戏剧,它的一个鲜明特征就是对传统戏剧的“反叛”。西方现代戏剧家们为什么要“反叛”传统?其中一个重要的原因是,在他们看来,戏剧无论是持怎样的戏剧观念和戏剧理论,总而言之都应该建立在这样一个基础上:即戏剧要表现“真实”。法国戏剧家安托南·阿尔托在他的《与杰
First, based on the drama “real ” based on the “static drama ” British theatrical theorist Stein in “modern drama theory and practice,” a book once said, “the history of drama is a reactionary and rebellious History”. A striking feature of the entire Western modern theater is the “rebellion” of traditional theater. One of the important reasons why western modern dramatists want to “rebel” tradition is that in their opinion, no matter what kind of drama concept and drama theory the theater holds, in short, all should be based on the fact that drama To show “real ”. French playwright Antoine Alto in his "And Jay