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人类在从事各种活动时,总是要不断地对所要认识的对象进行各种方式的层层分类,以此来揭示并把握各种事物自身的本质及其相互之间的内在联系。 早自西方的毕达格拉斯、柏拉图及中国的孔、墨、老、庄,已对音乐的归属及其内部的划分做了各自不同的论述。随后,历代的一些哲学家、思想家和音乐理论家也就此做了不少的探索。但是由于受到人类认识总体阶段的限制,音乐分类这一课题一直未能构成一门学科所应有的体系。 现在构造这门学科,是因为条件正趋于成熟。条件主要由以下三方面构成。
When engaging in various activities, mankind always keeps on classifying the objects to be recognized in various ways so as to reveal and grasp the intrinsic nature of each thing itself and its internal relations with each other. As early as Pythagoras in the West, Plato and Confucius, Mohism and Lao Zhuang in China have all made their respective discourses on the attribution of music and its internal division. Later, some philosophers, thinkers and music theorists of previous generations also made a lot of exploration in this regard. However, due to the limitation of the general stage of human cognition, the topic of music classification has not been able to form the system that a discipline should have. The discipline is being constructed now because conditions are maturing. The conditions are mainly composed of the following three aspects.