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在钢琴演奏中,踏板的运用本身就是一种艺术。但不幸的是,许多人却以之为掩盖缺点的手段,■使之成为一件遮盖错误和不良触键的外衣。踏板不仅是一件丰富音色的工具。它为艺术的演奏提供不可缺少的背景。想象一幅没有画上背景的图画,这样也许你可以略知在钢琴演奏中适当运用踏板的效果。我常常认为踏板之对于钢琴演奏相当于吹管乐器对管弦乐队音响效果的作用。吹奏乐器通常为其他乐器的音乐提供一种背景的音响。一个旁听过大型乐队排练的人如果他先听了弦乐部份单独排练后,接着又听到了与吹奏乐一起排练时,他将会正确地了解我的意思。
In piano performance, the use of pedals is an art in itself. Unfortunately, however, many people use it as a way of covering up their shortcomings, making it a cloak that covers mistakes and bad touches. Not only is the pedal a rich tone tool. It provides an indispensable background for artistic performance. Imagine a picture that is not drawn on the background, so maybe you can know the effect of using the pedal properly in your piano performance. I often think that the pedal’s effect on the piano is the same as the orchestra’s orchestral sound. Playing a musical instrument usually provides a background sound to the music of other instruments. A listener who rehearses large band rehearsals will understand correctly what I mean if he first rehearses the string part rehearsal and then hears the rehearsal with the wind music.