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中国是版画艺术的故乡。1900年发现于敦煌莫高窟的《金刚般若波罗蜜经》题有“成通九年四月十五日”字样,说明早在公元868年的唐朝便已有了印刷墨色清晰、雕刻刀法纯熟的木刻版画了。20世纪80年代以来,随着改革开放的进程,新的思潮和新的版画技术大量涌入,中国的版画艺术得到了全面的进步和发展。它一方面继承优秀的版画传统,另一方面在题材上更丰富,表现语言上更多变,在此基础上还出现了许多观念性、实验性的作品,拓展了版画语言在当下语境中的可能性。
China is the hometown of printmaking art. The “Diamond Prajna Paramita” found at the Mogao Grottoes in Dunhuang in 1900 was titled “Intact through April 15, Nine Years,” indicating that the ink was clear and engraved as early as 868 AD. Daozhu skilled woodcut prints. Since the 1980s, with the process of reform and opening up, the influx of new ideas and new printmaking techniques, the art of printmaking in China has made all-round progress and development. On the one hand, it inherits the fine tradition of printmaking, on the other hand, it is more rich in theme and more varied in performance language. On this basis, many conceptual and experimental works appear, expanding the language of printmaking in the current context The possibility of.