对审美特性的把握

• 作 者: 沈鹏
• 出 处: 美术
• 发表日期: 1991年06期
• 关键词: 澄怀观道 写意画 徐启雄 审美特性 吴团良 唐风图 线描 不等于 一幅画 造型手段

看过近几年来的一批工笔画,我感染到一种创作的真诚。固然,一笔一画、日积月累地画成工笔作品,不等于艺术上具备了真诚,但是至少有不少的作者是不那么急功近利,不那么把绘画视为游戏,或者类似表演的行动。“十日画一水,五日画一石”,古人从严肃认真的意义上肯定了这样的创作态度,为了达到这一点“能事不受相促迫”就不要简单地理解为“无人催稿”、“慢条斯理”,而是创作者“澄怀观道”的哲学思考,一种通脱的精神境界。

Watched a group of works in recent years, stroke, I was infected with a sincere creation. Of course, one-and-a-half-length painting of a masterpiece does not mean that the artist has the sincerity in art. However, at least many authors are not so quick-winded and do not consider painting as a game or act like a show. “Drawing water on the 10th and painting a stone on the 5th,” the ancients affirmed this creative attitude in a serious and serious sense. In order to achieve this goal, “doing nothing without coercion” should not be simply interpreted as “ ”,“ Slowly ”, but the philosophical thinking of the creator“ Cheng Huai Guan Tao ”, a kind of spiritual realm that breaks through.