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工笔人物画在中国传统绘画中是一个历史最为悠久的画种。早在原始社会的人们制作的岩壁画中初露端倪,到春秋时期已经成为一个独立的画种,在隋唐期间发展最是繁荣,然而到宋元以后却渐渐衰微。近年来,我们欣喜的看到工笔人物画在长时间的休克中得到复苏和繁荣,工笔画家们从传统中吸收智慧,从现实生活中搜取素材,从国外绘画的精髓中汲取养分,为中国工笔人物画的繁荣发展提供了不可磨灭的新的道路。较之传统的工笔人物画,当代的工笔人物画的绘画语言也出现了一些新的特点:装饰性意味的加浓;造型上更加注重写实性;色彩更加丰富等。
Meticulous portrait painting is one of the oldest paintings in traditional Chinese painting. Early in the primitive society people made rock murals in the clump, to the Spring and Autumn Period has become an independent painting, the development of the most prosperous during the Sui and Tang dynasties, but after the Song and Yuan Dynasties but gradually declining. In recent years, we are delighted to see that the fine brushwork figure has been resuscitated and prospered in a long period of shock. The painters absorb wisdom from the tradition, seek material from real life, absorb nutrients from the essence of foreign paintings, The prosperity and development of figure paintings provide an indelible new path. Compared with the traditional meticulous figure painting, the contemporary drawing figure of the meticulous figure painting also has some new features: the enrichment of the decorative meaning; the more emphasis on realisticness in the style; the more abundant colors and so on.