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观察台海两岸民族音乐发展的异同,是个饶富趣味的事情。台湾民族音乐的发展基本上呈现了民间与学院,地方音乐与现代国乐间不同步、不沟通的特性。就学院而言,现代国乐的发展与传承几乎占据了学习重点的十之八九,然而可惜的是对民间音乐,尤其是对台湾本土音乐的关注可说极为微小。这种划地自限的作风使得台湾现代国乐很少从本土去取营养,其结果影响了它的深刻性。大陆的发展则反是,在大部分地区,与该地区民间音乐的结合已形成该地学院、民族乐团发展的特
Observing the similarities and differences in the development of ethnic music across the Taiwan Strait is a very interesting thing. The development of Taiwan’s folk music has basically shown the characteristics of non-communication between non-government colleges and local music and modern national music. As far as the college is concerned, the development and inheritance of modern Chinese music have taken up nearly ten out of ten learning priorities. However, it is a pity that attention to folk music, especially to local Taiwanese music, can be said to be extremely small. This circumscribed and self-limited style has made it very difficult for Taiwan’s modern national music to obtain nutrition from its homeland. As a result, its profoundness has been affected. On the contrary, the development of the mainland is that, in most areas, the combination with folk music in the area has formed a special theme for the college, the development of the ethnic orchestra