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因着信仰的缘故,北村是一个充满盼望的人,可我却在他的一系列小说中读到了一种难以言喻的绝望思想。我不是说北村本人是绝望的,而是指北村的小说很好地完成了一次对绝望主题的书写。绝望,这是现代主义者眼中最重要的内容,也是他们体验的中心乃至终极。在这样的立场上,人被描写成了虫豸、稻草人、空心人、物等,世界则被描写成了一个废墟、一片荒原。如果这些在卡夫卡、艾略特的时代还只是先知般的预言,那么,在我们这个时代一切却成了现实,让人触目惊心。
Because of his faith, Kitamura is a person full of hope, but I read in his series of novels an unspeakable hopelessness. I am not saying that Kitamura himself is desperate, but rather that Kitamura’s novel has done a good job of writing about the theme of despair. Despair, which is the most important aspect of Modernism’s eyes, is also the center of their experience and ultimately. In this position, people are described as insects, scarecrows, hollow people, things, the world is described as a ruin, a wasteland. If these times in Kafka, Eliot’s time are only prophetic predictions, then in our time everything has become a reality, shocking.