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美在民间,艺术之源在民间。民间美术既是美术的基础,又是产生其它美术的母体。中国民间美术作为中华民族智慧的结晶,包蕴着十分丰富的历史、民俗和民族心理内涵,质朴而直率地体现了中华民族的审美观念和创造精神,是中国文化艺术中富有活力的重要组成部分。观察、分析、品评中国当代民间美术的现状,回顾和展望中国民间美术的发展,是美术研究的重要课题。 鉴于此,本期名家栏目推出了北京民间艺术家白大成的鬃人艺术,又从全国各地精选了一部分民间神像、祭祀、年画、剪纸、民居、家具、服饰、器用、玩具、社火、皮影等作品,并约请一些学者撰写了专门的论述文章。热心的读者如果通过这些作品和文章对民间美术有了新的认识,新的感受,对民族艺术有了更深的体验,那就是我们的最大快慰。
Beauty is in the folk, the source of art is folk. Folk art is not only the foundation of art, but also the mother of other art. Chinese folk art, as the crystallization of the wisdom of the Chinese nation, contains a wealth of historical, folk and national psychological connotations. It shows the aesthetic concept and creative spirit of the Chinese nation in a simple and straightforward manner and is an important part of the vitality of Chinese culture and the arts . Observing, analyzing and evaluating the status quo of contemporary Chinese folk art, reviewing and prospecting the development of Chinese folk art is an important issue for art research. In view of this, this issue of columnists introduced the art of bristles by Bai Dacheng, a Beijing folk artist, and selected some parts of folk statues, sacrificial ceremonies, New Year paintings, paper-cut, folk houses, furniture, apparel, appliances, toys, social fires, And other works, and invited some scholars to write a special essay. Enthusiastic readers through these works and articles have a new understanding of folk art, new feelings, have a deeper experience of national art, that is our greatest pleasure.