论文部分内容阅读
传统诗经学经历了先秦、汉唐、宋元、明清等各具特色的不同阶段。这是一个漫长的由文化《诗经》到文学《诗经》的过程,即由经学语境生成文学语境的过程。这是一个饶有兴趣的话题。本文拟用布迪厄的场域理论,把《诗三百》由“经”而“诗”的现象放到文化生产场即文学场中去作整体考察和审视,以探寻经学和文学生成的过程及合法性。
The traditional poetic classics experienced different stages such as the pre-Qin period, the Han and Tang Dynasties, the Song and Yuan Dynasties, the Ming and the Qing Dynasties. This is a long process from the cultural “Book of Songs” to the “Book of Songs” in literature, that is, the process of generating the literary context from the classical context. This is an interesting topic. This article intends to use the field theory of Bourdieu to put the phenomenon of “three hundred poems” from “” and “poem ” into the field of cultural production, that is to say, And literature generated process and legitimacy.