论文部分内容阅读
在汉赋浩荡的文潮中司马相如、扬雄和班固无疑是最富盛名的作者,散体大赋就是在他们手中完成了定形、发展和改造的过程。而能将他们三人相联的还有一条线索,那就是他们曾分别于不同的历史时期创作了同属于“符命”文体的《封禅文》、《剧秦美新》和《典引》,在其散体大赋的创作之外呈现出另一番风貌。这是一个很有意思的现象,本文试从他们各自的性情际遇出发,分析其写作“符命”文章的动机和作品旨意,进而与其散体大赋中所流露出的思想意识相对比,以此作为考察汉代士人在制度的规范下,创作形态和内在取向变化、差异的读本之一。
In the mighty stream of Han Fu, Sima Xiangru, Yang Xiong and Ban Gu are undoubtedly the most prestigious authors. In the process of their formation, development and transformation, the bulk Shang dynasty has completed the process. But there is another clue that can connect them three people, that is, they have respectively created the “Seal of Fortune”, “Drama of Qin Mei Xin” and “Code of Qin Mei” in different historical periods Cited “, in addition to the creation of its bulk Fu presents another style. This is a very interesting phenomenon. This article attempts to analyze the motives and works of his writing ”Fu fang " ’s essay based on their own personal situations, and then compare with the ideology they show in the bulk fu. As one of the readers who inspected the scholars in the Han Dynasty under the rules of the system, the changes of forms and internal orientation, the differences.