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说起秋菊,就想起一位友人相赠的诗,内中有句:“自有渊明方有菊,设无和靖更无梅。”显然,这是文人的艺术夸张。古往今来,咏菊的歌诗不知凡几。但魏晋以来,脍炙人口的菊咏篇什,无不直接、间接受到东晋大诗人陶潜(陶渊明)归隐后《饮酒》篇的影响。试看他的《饮酒》五:“结庐在人境,而无车马喧。问君何能尔,心远地自偏。采菊东篱下,悠然见南山。山气日夕佳,飞鸟相与还。此中有真意,欲辩已忘言。”这何等真实而自然地再现了归隐山林、躬耕南亩的日常生活!与其说他有意将菊花纳入诗句,勿宁说是菊花主动闯入他的日常生活,成了他朝夕相伴的朋友。全诗朴实无华、平淡自然,把写景、抒情与说理融为一体,意境深邃而高远,表现出浑朴无华、不假雕饰、蕴含深厚、耐人寻味的艺术风格。王国维评“采菊
Talking about Chrysanthemum, I remembered a poem from a friend. There is a sentence in it: ”It is clear that this is an art exaggeration by the literati. Since ancient times, Wing Chrysanthemum poetry I do not know where. However, since the Wei and Jin Dynasties, the popular chrysanthemum chanting articles are all directly and indirectly influenced by the “drinking” articles by the great poet Tao Qian (Tao Yuanming) after their retirement. Try his “drinking” five: “Jie Lu in the human environment, and no car whistle .He asked why can Seoul, heart far from partial .With the Ju Dong, leisurely see Nanshan. Phase and also .There is a true meaning, for the defense has forgotten words. ”This is how true and natural reproduce the hidden mountain forests, Gong Mu South daily life! Not so much he intended to incorporate chrysanthemum verse, rather not to say that chrysanthemum Active into his daily life, has become his companion every day friends. The poem plain, plain and natural, the scenery, lyrical and tegent integration, artistic conception deep and lofty, showing no simple, not false carving, contains profound, intriguing art style. Wang Guowei evaluation "take chrysanthemum