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从绘画史来看,其实中国画不存在找出路的问题。1949年长沙出土的晚周帛画龙凤女子图,那应是最早的一幅中国画了。从那时算起,中国画就像一条不息的长河静静地流淌,绵延不断,一脉相承,直到如今。这个古老的画种从它诞生开始就跨过了稚气的青春年少,如睿智平和的老者伴着人们打发日月春秋。不激昂,不颓废,不温不火,藏而不露,不取媚于下,不邀宠于上,不求诸人,亦不求诸己,这是它品质与格局的可爱。数千年来,有顾恺之、王维、范宽、米芾、
From the history of painting, in fact, there is no problem of finding a way out for Chinese painting. In 1949, the late Zhou Dynasty silk unearthed in Changsha, Longfeng woman figure, it should be the first one of Chinese painting. Since then, Chinese painting has flowed quietly like an endless stream of rivers and lanes, stretching from one strain to another until today. This ancient painting from the beginning of its birth over the juvenile youth, such as smart and peaceful old man accompanied by people passing the sun and the moon. Not passionate, not decadent, tepid, possession rather than dew, do not fawn in the next, do not invite pet in, do not seek the people, nor seek selfish, this is its quality and pattern of cute. For thousands of years, Gu Kaizhi, Wang Wei, Fan Kuan, Mi Fu,