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北方猎牧民喜好表现动物题材的装饰风格,因为这里的动物世界是猎牧民赖以生存的物质条件。但是作为狩猎民族的鄂伦春人,不管是他们的兽皮工艺,还是桦皮工艺,其装饰图案大都是各种云卷纹、花形纹、几何纹和蝴蝶纹等,而直接与狩猎生活有关的很少。这与德国艺术理论家格罗塞在他的《艺术的起源》中发表过的论点——“狩猎部落由自然界得来的画题,几乎绝对限于人物和动物的图形”[1]相对立。这使我们对原始艺术和艺术的起源增加了许多新的认识。
The northern hunting herdsmen like to express the decorative style of the animal theme because the animal world here is the material condition for hunting herdsmen. However, as a hunting nation, Oroqen people, no matter their skins craft or birch leather craft, are mostly decorated with various cloud patterns, flower patterns, geometric patterns and butterfly patterns, which are directly related to hunting life. less. This is in contrast with the argument put forward by German art theorist Grosse in his book The Origin of Art- “Hunting tribes are drawn from nature and are almost exclusively limited to figures and figures of animals.” opposition. This gives us many new insights into the origins of primitive art and art.