从双年展传统“出走”探寻新“公众”

• 作 者: Michelle Hyun 方晋清
• 出 处: 公共艺术
• 发表日期: 2017年01期
• 关键词: 全球化话语 上海双年展 institutions disciplines 公众利益 installation something fundamentally e

“上海种子”的起源,应当从何说起呢?虽然一切似乎都始于2015年3月份“上海种子”项目的发起人李龙雨初到上海之时,但促成这一试验的事件和条件其实在更早的时候就出现了。作为光州双年展的创始人及主席,李龙雨在过去的二十多年里一直思考着“双年展”这一形式。虽然亚洲地区在1994年才迎来其首个双年展—光州双年展(紧随其后的是1996年创办的上海双年展),随后,随着全球化话语兴起,

Where should I start talking about the origins of the “Shanghai Seed?” Although everything seems to begin at the time when Li Longyu, the initiator of the “Shanghai Seed” project, first arrived in Shanghai in March 2015, the events that led to this trial And the conditions actually appeared earlier. As the founder and chairman of Gwangju Biennale, Li Longyu has been thinking about the “Biennale” for more than two decades. Although Asia first welcomed its first biennial in 1994, the Gwangju Biennale (followed by the Shanghai Biennale founded in 1996), then as discourses of globalization emerged,