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毛泽东时代近三十年的绘画作品中女性形象所呈现的面貌表面几乎是相同的——“中性化”特征。然而新中国成立十七年和文革,这两个时期绘画作品中的女性形象却透露着本质的不同。一、历史背景新中国成立十七年这一时期提出了“男女平等”的妇女解放口号,废除了形形色色的性别禁令。首先就让中国妇女有史以来第一次享有了与男人一样的政治和经济权力,从嫁鸡随鸡,嫁狗随狗的男性附属中解脱出来,从男女同工同酬的社会主义生产劳动建设,到“男女平等”拥有选举权和被选举权,再到在轰轰烈烈的革命和
The face appearances of female images in the works of Mao Zedong during the past three decades are almost the same - “neutral” characteristics. However, since the establishment of the People’s Republic of China in 17 years and the Cultural Revolution, the images of women in these two periods of painting have revealed the essential differences. I. Historical Background In the 17 years since the founding of New China, the liberation slogan “Women and Men Equality” has been put forward and the ban on all kinds of sex has been abolished. First of all, for the first time, women in China have enjoyed the same political and economic power as men for the first time. They have been freed from the male attachment of marrying chickens and marrying dogs and dogs. From the socialist construction and labor construction of equal pay for men and women to “Equality between men and women” has the right to vote and to stand for election, and to the vigorous revolution