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清末时期,武术的文化地位十分低下,被戏称为拳勇或技勇等等,又由于受到义和团运动的负面影响,社会上一般将习武者视为几与匪同。直到民国初期,所有有关中国文化史的论述中都没有武术的文化地位。但是仅仅过了十多年的1928年,武术一跃成为国术,从中央到各省市县,由政府出面建立的国术馆,从体制上确立了武术的社会地位,成为与国学并重的一大文化门类。其中,由李烈钧、张之江、钮永建和李景林等人策划并成立的中央国术馆,无疑起到了重要
In the late Qing Dynasty, martial arts was in a very low cultural status, dubbed boxing or bravery, etc., and because of the negative influence of the Boxer Rebellion, the general public regarded martial arts as a few with bandits. Until the early Republican era, all the discussions on the history of Chinese culture did not have the cultural status of martial arts. However, in just over a decade, in 1928, martial arts became martial arts. From the central government to various provinces and cities, the martial arts museum established by the government established the social status of martial arts from the system and became a major culture that pays equal attention to both Chinese learning Categories. Among them, the Central Martial Arts Museum, curated by Li Lie-jun, Zhang Zhi-jiang, Niu Yong-jian and Li Jing-lin, undoubtedly played an important role