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上海儿童艺术剧院和上海京剧院二团演出的《孙悟空三打白骨精》我都看过。他们的演出,在内容上没有多大不同,但却给了我不同的感受。儿童艺术剧院演出的孙悟空,忍辱负重,宁愿承受肉体上的最大痛苦而誓除妖魔,在妖怪面前,即使唐僧念的紧箍咒使他头痛欲裂,他还是不顾一切,支撑着身体举棒就打。虽然最后唐僧逼他走,但他迟迟不肯离去,对未能除尽妖魔、扫平西方道路总是深感遗憾;走后,他仍时刻准备再来。因为他把取经不仅看成是唐僧的事,也看成是他自己的事,观众看到这里,都会为孙悟
Shanghai Children’s Art Theater and the Shanghai Peking Opera two performances, “Monkey King Sanda” I have seen. Their performance, in the content is not much different, but gave me different feelings. Children’s Art Theater performances of the Monkey King, bite the bullet, preferring to bear the greatest physical pain and sworn demon, in front of the monster, even if the Tang monk read the spell to make him headache, he desperate, supporting the body to lift a stick hit. Although the monk eventually forced him to go, he was still reluctant to leave. He was always deeply regretful of failing to eliminate the demon and sweeping the Western path. After leaving, he was still prepared to come back. Because he took the Buddhist scriptures not only as a monk thing, but also as his own business, the audience saw here, will be for the Monkey King