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缘于民俗类非物质文化遗产的活态形态特征、田野作业的主导方式、图像化趋势的阅读语境,以及文化保护的国际交流与合作等多方面原因,民俗摄影在当今非物质文化遗产保护中的意义日益凸显。在民俗摄影中,作为文化保护者的拍摄者,应有尊重当地民俗禁忌、关注当事人审美感受、力求良好学术效果的问题意识,也应有确保内容真实性、表达民众生活之美、传递历史文化信息和把握作品主题的学术取向,确立区别于其他拍摄者的对于民俗文化观看的法则,以作品引领人们参与到非物质文化遗产保护之中。
Because of the morphological characteristics of folk intangible cultural heritage, the leading way of fieldwork, the reading context of the trend of visualization, and the international exchange and cooperation of cultural protection, folklore photography in today’s intangible cultural heritage protection The significance of the increasingly prominent. In folk photography, the photographer who is the protector of culture should have the awareness of taboo of respecting local folk taboos, pay attention to the aesthetic feelings of the parties and strive for the good academic results. They should also ensure the authenticity of the content, express the beauty of people’s life and transmit the historical and cultural information And grasp the academic orientation of the theme of the work, establish the law of folk culture viewing that is different from other photographers, and lead the people in the protection of the intangible cultural heritage by the works.