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在小说写作中,由现实真实所构成的语境和创作主体所叙述的文本真实之间往往存在明显的差距和间隔,从而构成语境(现实真实)对文本真实的压力,使读者从中悟出文本中所言非所是的讽刺意味,这便是反讽,也就是说,反讽是现实真实与文本真实间的差距所形成的讽刺.王蒙的小说文本带有明显的反讽意味.他似乎有意于利用现实真实对文本真实的语境压力而构成对不合理现实情状的否定与讽刺,而为了避免过于浅直地暴露他的主观意图所可能造成的对艺术的损害和对本人的现实压力,王蒙运用他那优越的智力条件,渊博的知识和丰富的社会智慧,创造出五花八门的、令人眼花潦乱的“有意味的形式”,使接受主体必须通过与生活现实的对比进行补充阅读,才能品味出文本所蕴含的批判指向.在当代作品中,王蒙也许是最早、也最成功地拿出大量的高质量、高品位的反讽佳作.可以说,反讽对于王蒙,既是一种语言形式,又是一种叙述方式(结构方式),但更是一种睹物观世的眼光,一种人生旅途上的心态,一种谋求主客体双重接受的处世哲学.
In the novel writing, there are often obvious gaps and gaps between the context formed by the real reality and the textual reality described by the main body of creation, so as to make the context (realistic reality) exert real pressure on the text and make the reader realize Ironically, this is ironic, that is to say, irony is the irony of the gap between real reality and the true nature of the text.Wang Meng’s novels have obvious ironic meanings, and he seems intent on The use of real reality on the true contextual pressure of the text constitutes a negative and ironic irrational reality of the situation, and in order to avoid being too shallow to expose his subjective intention may cause damage to the arts and the pressure on their own reality, Wang Meng By using his superior intellectual conditions, profound knowledge and rich social wisdom, he has created a variety of dazzling, “meaningful forms” so that the accepting subject must make supplementary reading through the comparison with the realities of life Taste out of the text contains the critical point in the contemporary works, Wang Meng may be the earliest, but also the most successful come up with a large number of high-quality, high-grade It can be said that irony is not only a linguistic form but also a narrative mode (structure mode) for Wang Meng, but it is also a kind of vision of seeing things in the world, a mindset in life journey, a quest for The philosophy of life accepted by both subject and object.