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校园里有一池莲花,盛夏时开得葱茏茂盛,微风袭来,清香远溢,不蔓不枝的摇曳,煞是好看。初冬再见时,它已落下了那高擎的碧绿,低垂着头,像迟暮的妇人站在寒风中无语凝噎,在最后一抹余香中裹藏住今生的思念,把曾经的优雅美丽埋在冰雪中,回报带给它无限荣光的泥水。夕阳的光辉里,它们无怨无悔,干瘪却坚定的身影,在我看来,没有萧瑟,只有静候生命轮回的肃穆,以及蓄芳以待来年的期盼,像极了贾克梅蒂雕塑中的清瘦人物,承载着生命不能承受之轻。绘画是画家以视觉为途径与观者的交流,通过绘画得以靠近、品读心灵,所谓“睹迹明心”亦是如此。它的魅力就在于暗藏着生活甘苦的回声,而不是骗骗眼睛
There is a pool of lotus on campus, blooming in spring when lush, breeze hit, fragrance overflowing, not sticking swaying, it is truly beautiful. In the early winter, when it was goodbye, it had fallen off the high-spirited green, drooping head, like a twilight woman standing silent in the cold wind, hiding the thoughts of life in the last touch of fragrance, Beautiful buried in the snow, return it to give it unlimited glory of muddy water. In the glorious sunset, they have no regrets, but deflated but firm figures. In my opinion, there is no bleakness. Only waiting for the solemnity of the reincarnation of life and the expectation of the coming year are as extreme as the Giacometti sculptures Lean characters, bearing the weight of life can not afford. Painting is the artist’s exchange of views with the viewer through the visual approach, through the painting to be close to reading the soul, the so-called “See traces clear heart ” as well. Its charm lies in hiding the bitter echoes of life, rather than deceiving the eyes