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花鸟画在中国美术史上,从扬州八怪到赵之谦、徐渭、八大山人、齐白石、潘天寿等,大家林立,把花鸟画推上了一个历史的高度。若站在传统和传统延续的立场上理论,许多人都会同意,在中国画的众多分科和分类中,写意花鸟画是最难画好,最难出成绩,也是最难突破前人的。随着时代的变化和需要,当代花鸟画如何适应当代人的审美要求,反映时代的精神风貌,一直是当代花鸟画家们关注的课题。作为中国会意水墨画创始人,
Flowers and Birds Paintings In the history of Chinese art, people from all walks of life in Yangzhou, such as Zhao Chui-hsien, Xu Wei, Badashanren, Qi Baishi and Pan Tianshou, lifted their flowers and birds paintings to a historical height. If we stand on the theory of traditional and traditional continuation, many people will agree that in many branches and categories of Chinese paintings, freehand drawing of flowers and birds is the most difficult to draw, the most difficult to score and the most difficult to break through. With the changes and needs of the times, how contemporary flower and bird paintings adapt to the aesthetic requirements of contemporary people and reflect the spiritual outlook of the times has always been a topic of concern to contemporary flower and bird painters. As the founder of China intention ink painting,