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含蓄是中国传统艺术的一大特色。晚唐诗人司空图在《二十四诗品》中专门论述了含蓄。他从对于含蓄风格的要求、含蓄之作应达到的境界以及所收到的审美效果等几方面进行了形象的论述。
Implicit is a major feature of Chinese traditional art. Late Tang poet Sagong in the “Twenty-four poetry” in a special discussion of the implied. He made a vivid exposition of his image from the requirements of subtle style, the realm to be implied, and the aesthetic effect it received.