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博物馆的展览,是在具有多重属性的公共空间里以物质实现视觉叙事。无论1954年的北京历史博物馆还是1926年的国立历史博物馆,展览的区别也许只是态度的从容或窘迫,代表个人的奋斗或集体的努力。建在北京心房上的百年博物馆屹立不倒,进驻其间的重大展览无不是物化的美好理想,参观者流连的脚步轻轻地伴随中华文明的脉搏绵绵律动。1954年5月,北京历史博物馆午门楼上举办了一场在新中国博物馆发展史上极为重要的展览一一“全国基本建设工程中出土文物展览会”("全国基本建设工程中
The museum’s exhibition is to materialize the visual narrative in a multi-attribute public space. Whether the 1954 Beijing Museum of History or the 1926 National Museum of History, the difference between exhibitions may be just calm or embarrassing attitudes, representing individual struggles or collective efforts. The 100-year-old museum built on the atrium of Beijing stands intact. The major exhibitions in the meantime are all the ideal of materialization. The paces of visitors gently accompany the pulse of Chinese civilization. In May 1954, an important exhibition in the history of the development of the New China Museum was held on the upstairs of the Meridian Gate of the Beijing Museum of History. The Exhibition of Excavated Cultural Relics in the National Capital Construction Project (National Capital Construction Project