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“韵”是我国封建社会后期艺术审美的价值取向,至宋代才定型成熟并推广到一切艺术领域。本论文通过范温对宋韵人文内涵“有余意之谓韵”的阐释,并与书画领域中“逸品”境界相结合,体悟蕴含于其中的苏门美学思想,理解宋韵远离人生和深入人生的矛盾统一。最后突出苏轼对平淡之韵的追求,超越形似,突出主体意向和游戏创作态度,表现出特定时代士大夫的生活态度与人文倾向。妙造自然,巧夺天工,这一切是审美的艺术与审美的人生的有机统一。
“Rhyme ” is the value orientation of artistic esthetics of the late feudal society in our country, it was only matured in the Song Dynasty and extended to all the art fields. Through the combination of Van Wen’s connotation of humanistic connotation of Song Yun and the meaning of “there is meaning in the meaning of rhyme”, this article combines with the realm of “Essence” in the field of painting and calligraphy, comprehends the Su-Mei aesthetic thought contained in it, Conflict and unity of life and in-depth life. Lastly, Su Shih’s pursuit of the lusty rhyme is surpassed. The attitude of the main body and the creative attitude of the game are emphasized, showing the life attitude and humanistic tendency of the scholar in a particular era. Miao made nature, talent, all this is the aesthetic unity of art and aesthetic life.