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正象黑格尔依据理念和形象所具有的三种关系——理念小于形象、理念等于形象以及理念大于形象,把基督教世界近代社会以前的人类文艺发展的历史划分为象征的、古典的以及浪漫的三个阶段一样,在本文中,我将试图依据文学作品是如何地由旧变新新,或者借用库恩的术语说,文学作品之由旧交新的范式是怎么样的.把我国文学发展的历史划分为更新、创新以及翻新这三个阶段.这样做的目的是想为我国文学发展的进程勾画出一个也许是不无认识意义的简概的趋势性的略图.
Just as Hegel’s three relations based on idea and image - concept is less than image, concept is equal to image and concept is bigger than image, dividing the history of human development in modern world before Christianity into symbolic, classical and romantic In this essay, I will try to find out how literary works are changed from old to new, or borrow Kuhn’s terminology to say that the literary works are similar to the old paradigm of new diplomacy. Is divided into three phases of renewal, innovation and renovation.The purpose of doing so is to sketch out a trendy sketch of the process of Chinese literary development, which may or may not be of general significance.