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80年代以“先锋”出名的作家格非在2011年完成了“江南三部曲”的创作,并于2015年获得茅盾文学奖,以其文学成就获得评论界的肯定。学界对于“江南三部曲”的论述主要集中在社会学层面的探讨上,例如对革命、乌托邦、知识分子以及历史与个人关系等主题的关注上。本文试图从文学地理学的角度对“江南三部曲”做进一步的探寻,即“在格非笔下‘江南’意味着什么,古典的江南美学被重新书写后,呈现出怎样的现
In the 1980s, writer Ge Fei, a famous pioneer of Pioneer, completed the creation of ”Jiangnan Trilogy“ in 2011 and won the Mao Dun Literature Prize in 2015, winning recognition from critics for his literary achievements. The academic discourse on ”Jiangnan Trilogy “ focuses mainly on sociological aspects, such as the concerns of revolutions, utopias, intellectuals, and historical and personal relations. This paper attempts to further explore ”Southern Yangtze Trilogy“ from the perspective of literary geography, that is, ”What does“ Jiangnan ”mean under Ge Ru not? What kind of present is the classical Jiangnan aesthetics rewritten?