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自德国表现主义之后,光影作为影像的重要表现手法,频繁的出现在各类影像作品中,本文通过对各类影像中阴影使用的手段和使用的意图进行研究,对影像中的阴影做出比较分析。
Since the German Expressionism, light and shadow as an important representation of images frequently appear in all kinds of video works. In this paper, we compare the shadow of the images by means of using the means of shadow and the intent of the use in all kinds of images analysis.