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民族室内乐演奏不同于个人独奏或民族管弦乐队合奏,它是两者的升华。室内乐演奏员既要有较强的独奏能力,还要具有在大乐队中整齐默契的配合意识,这就对室内乐演奏员的能力提出了更高的要求。近年来,随着民族室内乐的发展,对这一演奏形式的研究探讨也更加活跃。笔者作为沈阳音乐学院八音组合的二胡演奏员,具有长期实践积累的重奏经验,使我对室内乐二胡演奏中容易出现的问题有了更多的思考,本文以此为研究基础,从三个层面来探讨民族室内乐中二胡演奏技术的运用。
National Chamber music differs from solos or solo orchestra ensembles in that it is a sublimation of both. Chamber musicians should not only have strong solo ability, but also have a tacit understanding in the big band with a sense of unity, which on the capacity of chamber music players put forward higher requirements. In recent years, with the development of national chamber music, the study of this form of performance is also more active. As a erhu performer with a combination of octave and tone of the Shenyang Conservatory of Music, I have gained a lot of thinking about the easy-to-emerge problems of erhu playing in chamber music based on the accumulated experience of playing quartet. Based on this, Level to discuss the use of erhu playing technique in national chamber music.