论文部分内容阅读
中国青年艺术团去年十月至十一月上旬,在美国的纽约、旧金山、华盛顿、西雅图等十二个城市,进行了二十六场演出,受到热烈欢迎。艺术团回国的第二天,我请关贵敏谈谈这次赴美演出的情况。他从一个帆布提包里取出一份精制的节目单,其中舞蹈有根据唐代大诗人杜甫的诗篇创作的《新婚别》,表现古代青年忧国忧民悲壮情怀的《醉剑》,反映蒙古旗少女草原生活的《喜悦》;杂技除了《耍花坛》,还有《滑稽音乐》;声乐有李谷一和关贵敏演唱的《乡恋》、《在希望的田
The Chinese Youth Performing Arts Group conducted 26 performances in 12 cities in New York, San Francisco, Washington, and Seattle in the United States from October to early November last year and was warmly welcomed. The day after the troupe’s return to China, I asked Guan to talk about the performance in the United States. From a canvas bag he took out a refined program, which dance is based on the Tang Dynasty poet Du Fu’s Puppet creation of the “New Marriage”, the performance of the ancient youth sorrow and sorrow feelings of the “drunk sword”, reflecting the Mongolian flag “Joy” of the young girl prairie life; acrobatics besides “playing flower beds” and “funny music”; vocal music has a “folk love” sung by Li Guyi and Guan Guimin,