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2014年1月28日晚上,人民大会堂的门口又排起了长队,熙熙攘攘的人群仿佛忘记了冬天的寒风,秩序地等待着剪票入场,这是北京每年一度的小年夜北京新春音乐会开场前的景象。从2005年开始,第一届北京新春音乐会诞生,到这一年正好第十个年头了。十年来,这场品牌音乐会一直延续着自己的民歌风格,它逐渐成为了北京过年的一个文化符号,以及一场被人们所期待的的不同于流行界的一场音乐会。这场音乐会曾经带给我们许多感动,也带来不少惊喜。从阿宝的《山丹丹开花红艳艳》到龚琳娜火遍网络世界的《忐忑》,最早都是出自北京新春音乐会。它到底是一场怎样的音乐会?它在民歌的背后究竟隐藏着什么?又是什么让它坚持了10年之久?对此我们采访了北京新春音乐会的总编导——刘国超老师。
On the evening of January 28, 2014, the gate of the Great Hall of the People lined up again with long lines. The bustling crowds seemed to have forgotten the winter winds and waited in order for the entry of the ticket-cutting tickets. This is the annual Beijing New Year’s Concert Before the opening scene. Since the beginning of 2005, the first Beijing New Year’s Concert was born and it is just the tenth year of this year. For ten years, this brand concerts has continued its folk style. It gradually became a cultural symbol of the Chinese New Year in Beijing and a concerts different from the popular world. This concert has brought us many moved, but also brought a lot of surprises. From Bao’s “Shan Dandan blossom red Yan” to Gong Linna all over the world network of “grub”, the earliest are from Beijing New Year Concert. What kind of concerts is it in the end? What exactly is hidden behind the folk songs? What makes it persist for 10 years? We interviewed the Beijing New Year Concert’s chief editor - Liu Guo-chao teacher.