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莫高窟早期洞窟,在探讨敦煌乃至中国早期佛教美术发展过程中,发挥着举足轻重作用。交脚菩萨作为佛教造像中形制特殊者,历来成为学者关注的焦点,或探讨印度的交脚像即对交脚像追溯,或探讨莫高窟开窟年代,或探讨第275窟交脚像之身份,或探讨石窟造像题材。对于莫高窟早期石窟的年代问题以及交脚像的考证有许多学者,其中真对年代进行考证的学者,有以樊锦诗、马世长、关友惠基于洞窟的形制及艺术特征,认为这组洞窟与此后一阶段洞窟比
The early cave at Mogao Grottoes played a decisive role in exploring the development of early Buddhist art in Dunhuang and even China. The bodhisattva, as a distinctive form of Buddhist statues, has always been the focus of scholars’ attention, or exploring India’s bouncing feet as a retrospective of baptism, exploring the age of Mogao Grottoes, Identity, or explore the theme of the cave statues. There are many scholars on the era of the early Grottoes of Mogao Grottoes and the textual research on the footwork. Among them, the scholars who really study the age include Fan Jingshi, Ma Shichang and Guan Youhui, based on the shape and artistic features of the caves, Stage cave ratio