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《以赛亚书》52—53章的“受苦仆人”指向耶稣基督本身。巴尔塔萨的神学美学观念认为,人们可以通过十架刑罚这样的人类暴力和十字架上的受苦形象看见上帝的荣耀。中国当代小说《檀香刑》展示了封建社会种种合法的暴力,并揭露了一群拥有邪恶审美趣味的麻木看客。本文通过“受苦仆人”和《约翰福音》等相关经文与《檀香刑》作跨文本阅读,认为“美育代宗教”的人文主义观念需要以基督被钉十字架这种超越性真理作基础,十架荣耀提供了对人类暴力的最终解决办法。
“The Servant of Servant” in Isaiah 52-53 points to Jesus Christ Himself. Balthasar’s theological aesthetics holds that one can see the glory of God through human violence such as the Penal Code and suffering images on the cross. The Chinese contemporary novel “Sandalwood Penalty” shows all kinds of legal violence in feudal society and exposes a group of numb viewers who have evil aesthetic taste. This article uses cross-text readings such as “The Servant of the Servant” and “John Gospel” and “Sandalwood Penalty” to think that the humanism concept of “Aesthetic Education instead of Religion” needs to be based on the transcendental truth of Christ’s crucifixion The foundation, the 10 glories, provide the ultimate solution to human violence.