论文部分内容阅读
这几年我们之所以连续开戏曲音乐研讨会,就是因为我们感觉到我们以往在音乐方面注意的不够,现在有了清醒的认识,就是好剧本要有好音乐来呈现,一个剧目的脚本再好,没有好音乐把它立在舞台上,就不能算是成功之作。所以从2008年开始,我们就每两年召开一次全省的戏曲音乐创作研讨会。本次会议是在2009年二十四届戏剧会演基础上召开的。我感觉这一次比上两次都提高了。我倒是想,下一次把二十五届某一些剧种的一些好的或许是还不够理想的段落拿出来让大家来
The reason why we have consecutive operatic music seminars in recent years is that we feel that we did not pay enough attention to music in the past. Now we have a clear understanding that a good script needs good music and a good script for a script Without good music, it stands on the stage and can not be considered a success. So from 2008 onwards, we held once every two years the province’s opera music creation seminar. This meeting was held on the basis of the twenty-fourth drama performance in 2009. I feel better than the previous two times this time. I’d like to think that the next time we bring some good or perhaps not quite satisfactory passages of some 25-year programs for everyone to come