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回顾2010年的中国电影,有得亦有失,但作为中国电影人都不会看不到电影市场的异常热闹。中国电影票房的增长离不开电影这一产品的进步,作为这一年年终盘点的对话,本刊特别邀请了中国电影集团公司制片分公司经理赵海城和中国电影资料馆副馆长张建勇,选择由距离较近的贺岁档热片,围绕着“电影”这一“艺术商品”的本体说开去。正如辩证法阐述的,任何事物都有它的两面性。在这一年中国电影繁荣的背后,潜藏的并不一定都是美丽,就好似一把双刃剑,在促进着电影发展的同时也在伤害着中国电影。而本次话题的核心就是为这柄利剑寻根溯源,保护中国电影的健康向上。
Looking back on 2010 Chinese films, there are gains and losses, but as a Chinese filmmakers will not see unusually lively movie market. The growth of Chinese cinema at the box office is inseparable from the progress of the movie. As the dialogue of the year-end inventory this year, the magazine specially invited Zhao Haicheng, manager of the production branch of China Film Group Corporation and Zhang Jian Yong, deputy director of the China Film Archive, By the close New Year file hot film, around the “movie ” this “art goods ” said the body to go. As dialectics states, anything has its two sides. Behind the prosperity of Chinese movies this year, the hidden ones are not always beautiful. They are like double-edged swords, which are also hurting Chinese films while promoting the development of the films. The core of this topic is to find a source for this sword to protect the health of Chinese movies up.