论文部分内容阅读
全球文化的交流促使艺术家回归本民族文化,云南民间美术造型由于云南的地理、历史和本地民族特点形成了“神秘、宗教、古朴”的云南民间特征。本地艺术家通过对其的吸收和转化,形成了“写意性”和“写实性”两种表现手法。在当代全球文化交流中文化特征变得越来越凸显,艺术家们开始转向从自己的本土文化和民间美术来汲取营养,通过自身对其重新的审视来进一步塑造自己的艺术表现风格。由于在云南主流传统文化和西画传统相对比较薄弱,一定程度上云南艺术家在创作思维中相对自由,从而使得当代文化多元化的价值取向对本土民间美术元素在当代油画艺术的创作中生发出新的意义成为可能。
The exchange of global culture has prompted artists to return to their own national culture. The folk art style of Yunnan Province has formed the “folk, mysterious, religious and ancient” characteristics of Yunnan because of the geographical, historical and ethnic characteristics of Yunnan. Through their absorption and transformation, local artists formed two expressions of “freehand” and “realistic”. Cultural features have become more and more prominent in contemporary global cultural exchanges. Artists are turning to their own native culture and folk art to absorb nutrients and re-examine them to further shape their artistic expression style. Due to the relative weakness of mainstream traditional culture and traditional Western painting in Yunnan, Yunnan artists are relatively free in creative thinking to a certain extent, so that the value orientation of contemporary cultural diversification has given birth to new elements of local folk art in the contemporary oil painting creation Meaning is possible.