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近年来,考古学与艺术史研究在中国古代遗存图像的解读方面,取得不少明显进步。使学界对古代中国和西域诸民族的社会风貌,得到空前了解。当然,这种进展是在探讨的递进过程中累积而成的。下面要讨论的“剺面截耳”图像也是这样。就笔者所知,对于剺面图像的讨论,已经有数十年的历史,俄国的马尔沙克、法国的葛乐耐、日本的宫治昭等,早已经涉足这方面研究。不过自Judith Lerner博士起,再次掀起讨论。她在讨论日本Miho博物馆所藏北齐石床榻图像时,专门讨论了图像中的“剺面”丧俗~([1])。之后中国的姜伯勤、雷闻、日本的曾布川宽等,也专门或者涉及到此类图像的探讨,补充和拓展了研究范围~([2])。早在之前,已有学者利用文献资料研究过此俗~([3])。本文
In recent years, archaeological and art history studies have made notable progress in the interpretation of ancient Chinese relics. So that the academic community has an unprecedented understanding of the social outlook of ancient China and other ethnic groups in the Western Regions. Of course, this progress has been made in the progressive process of exploration. The same will be discussed below. As far as I know, there have been several decades of discussions on the discussion of facial images. The study by Marshall of Russia, Geleng of France and Gong Zhaozhao of Japan has long been involved in this aspect. However, starting with Dr Judith Lerner, the discussion started again. When discussing the image of the stone bed and bed in the north of Japan Miho Museum, she devoted her life to discussing the “funeral” funeral in the image ~ ([1]). Later, Jiang Boqin, Lei Wen from China and Zeng Buchuan from Japan also discussed and supplemented and expanded the research specifically or related to such images. [2] As early as before, some scholars have used the literature to study this custom ~ ([3]). This article