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“夫兵者,不祥之器,物或恶之,故有道者不处。君子居则贵左,用兵则贵右。兵者不祥之器,非君子之器,不得已而用之,恬淡为上。胜而不美,而美之者,是乐杀人。夫乐杀人者,则不可得志于天下矣。吉事尚左,凶事尚右。偏将军居左,上将军居右,言以丧礼处之。杀人之众,以悲哀莅之,战胜以丧礼处之。”(《老子》31章)为什么把老子放在这里,因为在此只有他是真正的局外人,而他身处的是中国历史上战乱扰攘的典型时代(战国)。一线战地摄影无疑是纪实摄影中最具冒险性的题材之一,身体的伤残与生命转瞬消亡的可能随时陪伴摄影者左右。要认识战地摄影的生命价值和历史意义,除了目前这几个视点之外——曾经的参与者、不在战场但同时代亦师亦友的摄影家,还有哪些应该出现的视角?我们愿意听到更多诚恳有力的声音。书信和文章删改很少,尽量保持他们本来面目,以便读者自己来认识。
“Fu soldiers, the ominous device, or evil, so the Taoists are not in. Gentleman is expensive left, the military is your right .. Weapon Occult, non-gentleman’s device, the last resort and useless, tranquil As the victory over the United States, the United States who is happy to kill .Hot funicide, you can not have the world to carry on .Ji is still left, the cruel thing is right. The killing of all, with sorrow, defeat the funeral ceremony. ”(“ Lao Tzu ”Chapter 31) Why Lao Tzu here, because only he is the real outsider, and he is living in China The classic era of turmoil in history (Warring States). First-line field photography is undoubtedly one of the most adventurous themes in documentary photography. The physical disability and the sudden disappearance of life may accompany the photographer at any time. In order to understand the life value and historical significance of field photography, apart from the current viewpoints, what are the possible perspectives of former participants, photographers who are not on the battlefield but who are also mentors at the same time? We would like to hear To more sincere and powerful voice. Eraser and essay little change, try to keep their true colors, so that the reader to recognize themselves.