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中国美学已经走过了一个多世纪的风雨历程,中国学者也应为建立具有中国民族特色的美学理论体系而努力。回顾过去,我们已经跟在西方人后面学习了100多年,虽然有对话与融合的过程,但主要是学习,今后还需要继续学习,但如果仅仅停留在学皮毛还不够,中国人应该为世界的学术作出自己创造性、独特性的贡献,这就需要具有美学体系意识。我的导师蒋孔阳先生终生也推崇这一点。一篇论文要有一个中心;一部著作,要有一个思想核心,几十年美学的专门研究,也要构建一个系统,一个体系。中国传统美学资源丰富,但逻辑性不够清晰,我们可以借鉴西方的方法来继承传统,作出自己原创性的贡献。我们要借鉴和参照西方,同时又突破西方美学的系统和
Chinese aesthetics has gone through more than a century of stormy history, and Chinese scholars should work hard to establish an aesthetic theoretical system with Chinese national characteristics. In retrospect, we have studied with the Westerners for more than 100 years. Although there is a process of dialogue and integration, we mainly study and need to continue studying in the future. However, if we are not enough studying in the academic field, the Chinese should study for the world To make their own creative, unique contribution, which requires the aesthetic system awareness. My mentor Mr. Jiang Kongyang life is also respected this point. A thesis should have a center; a work must have a core of thought, decades of aesthetics of specialized research, but also to build a system, a system. Traditional Chinese aesthetics is rich in resources, but its logic is not clear enough. We can draw on Western methods to inherit the tradition and make our own original contributions. We should learn from and reference to the West while breaking through the systems of Western aesthetics