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接受美学与都市化进程共同昭示了受众主体性异变、受众主体对整个社会化大生产进程的制衡性话语权力分享和控约性反影响,以及受众主体研究的成败得失。为此,回归接受美学和都市化进程语境,研究受众主体的主体性内涵、地位形成成因以及社会化大生产参与模式,能够对都市化进程中受众主体的权力幻象和实践性缺席进行澄清和正位,从而更好地问解受众主体异变及连锁反应的都市病症和文学创作困境。
Accepting the process of aesthetics and urbanization jointly revealed the subjectivity of the audience, the balance of the discourse power of the audience and the contradiction between the control and the audience, and the pros and cons of the study of the audience. To this end, regression to accept the context of the process of aesthetics and urbanization, study the subject’s subjective connotation, formation of status and socialization of large-scale production participation model, to clarify and correct the phantom of power and the absence of practice in the process of urbanization Bit, so as to better understand the subjects of the mutation and the chain reaction of urban illness and literary creation difficulties.