论文部分内容阅读
一、吸气吸气应是越巧越好,气不像是“吸”进去的,更不是抽进去的,而像是自然地“流”进去,“放”进的。具体作法是:吸气时要将身体放松,上腹部和后腰要很舒服地展开,随即胸部也有舒张感,这样气息就自然地“放”进去了。这样吸气就是适度的,如果吸气后先停住不唱,这时人很兴奋,胸很宽敞无压迫感,以这种感觉来歌唱,气息就通畅,声音容易做到整体共鸣。高音也不难唱上去。在教学中我常强调要很兴奋、很深情地把歌词的意思唱出来,不故意去想要吸气,这样在发出声音之前,自然会很舒服地吸气。乐句是音乐表达思想感情的单位,正确的句法要求用相应的声音表现技巧,把歌曲乐句的内容表达出来,不论乐句多长,都要保持它的连续性。
First, the inspiratory inspiration should be the more skillful, the gas is not like “sucked” into, but not pumped into, and like a natural “flow” into, “put” into. Specific practices are: breathing to relax the body, upper abdomen and back waist to be very comfortable to start, then the chest has a sense of relaxation, so the atmosphere naturally “put” into it. This inspiratory is moderate, if inspiratory first stopped do not sing, when people are very excited, very spacious chest without pressure, with this feeling to sing, the atmosphere is smooth, easy to do the overall sound resonance. It is not hard to sing the treble. In teaching I often emphasize to be very excited, very affectionate to sing the meaning of the lyrics, do not deliberately want to inhale, so before the sound, naturally very comfortable breathing. Phrase is the expression of musical thoughts and feelings of the unit, the correct syntax requires the use of appropriate sound performance techniques, the contents of the song phrase expression, no matter how long the phrase, we must maintain its continuity.