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“悟性”成为绘画的审美特性之一,并在作品中显示某种特殊的价值时,“悟性”的智慧又必然给画家的创造带来有意味的形式与不同凡响的境界。源于江南文人画精神陶冶的画家丁中一的水墨画给人的突出印象是:不著不粘,一派天籁,于静默之中自有深刻的悟性。这并非是评论者的一厢情愿,而是丁中一的天性所在。细察画家近期的简笔山水与部分水墨人物,其虚静的审美情境创造较之以前来得更为彻底。特别是画家的那批简笔山水,可谓“悟
”Perception “ becomes one of the aesthetic characteristics of painting, and shows some special value in the works, the wisdom of ”perception “ is bound to bring a meaningful form and extraordinary realm to the artist’s creation. Ding Zhongyi, a painter from the spirit of literati in the south of Yangtze River, drew the most outstanding impression on the human being: no non-stick, one group of sounds of nature, and a deep understanding of it in silence. This is not the wishful thinking of critics, but rather the nature of Ding Zhongyi. A closer look at the artist’s recent landscape painting and some ink figures, the creation of a quiet aesthetic situation is more thorough than before. In particular, the artist’s batch of simple landscapes can be described as ”Wu