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吾对唐宋八大家之一苏东坡之诗词很是偏爱,尤其是《水调歌头·明月几时有》这首词,更情有独钟。因鄙人是位“盆景迷”,总想在自己的创作中体现这首词的意蕴。此作品(见图照)是意在笔先,根据词之意境为盆景立意。选材时心思:是作山水式、水旱式或是树石式呢?经过反复思考决定制作树石式。素材采用自培自育的双株珍珠黄杨,一高一低,树叶细小,整体观赏较有节奏感。此特征较符合此作空灵之意境。采用若干块黛青色斧劈石,经敲打锯截,做平远式连绵起伏的山脉,有聚有散,有远有近,正符合盆景平远空旷之意境。放上几只小帆船配件,给作品增添
I am a favorite of Su Dongpo, one of the eight people in Tang and Song dynasties, especially the poem “Where is the Water Regal Song? When is the Moon?” Because of my name is “bonsai fans”, always want to reflect the meaning of the first word in their own creation. This work (see photo) is intended to pen first, according to the conception of the word for the bonsai conception. Material selection mind: is for landscape, water and drought or stone? After making repeated decisions to make stone. Materials used self-cultivation double strains of pearl boxwood, one high and one low, small leaves, the overall appreciation of more rhythmic. This feature is more in line with this ethereal mood. The use of a number of pieces Dai Qing ax split stone, by beating sawing, so far-range rolling mountains, there are poly scattered, near and far, is in line with the bonsai flat open empty mood. Put on a few small sailing accessories, add to the work