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《孔繁森》不是那种任意突出和拔高英雄人物的作品。编导在创作过程中,十分尊重生活逻辑和艺术辩证法,运用一系列的衬托艺术.赋予了典型人物深遂的灵魂和强人的心理力量,从而真实而又深刻地建构了孔繁森平凡而又伟大的人格。 孔繁森何以仅凭自己并不宽裕的经济条件去抚养两位藏族孤儿?为什么他动情地将80多岁藏族老太太冻疆的双脚捂入自己的怀中取暖?他为何不吝惜自己的衣物,一件件地赠送给藏族同胞?他的心怀何以如此坦荡而无私?他的这
Kong Fansen is not the kind of work that arbitrarily highlights and asses heroes. In the process of creation, the director highly respects the logic of life and dialectics of art and applies a series of background art, giving the soul of a typical figure and the psychological strength of a strong man, so as to truly and profoundly construct the ordinary and great personality of Kong Fansen . Why did Kong Fansen only raise two Tibetan orphans under their own not-so-favorable economic conditions? Why did he emotionally cover the feet of the more than 80-year-old Tibetan woman Frost in Xinjiang in his arms? Why did not he grudge his clothes, One by one donated to the Tibetan compatriots? His heart so magnanimous and selfless? His this