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论文着重批判性地讨论朱迪斯·巴特勒的(跨)性别/酷儿表演性和她在性别三部曲《性别麻烦》《身体之重——论性别的话语界限》及《消解性别》中关于表演性颠覆的理论建构。在第一部分,论文从五个方面深入解读巴特勒的性别表演性理论对奥斯汀言语行为理论的借鉴和改进:一、将言语事件延伸到性别构成;二、视陈述性言语为行为性言语;三、把表演者对权威/习俗的执行修改为对法律/常规的引用;四、认为行为性言语是不断重复、再叙述的动态过程;五、着重“受挫的”言语行为以及颠覆常规的潜质。第二部分重在讨论巴特勒提出的性别表演理论,尤其是性别表演性从内部颠覆性别常规的局限。文章重点探讨性别表演理论几个比较突出的问题:巴特勒将后结构主义方法嫁接到言语行为的可行性问题;表演性的(跨)性别/酷儿转向问题;内部颠覆作为消解性别麻烦的最终策略问题;以及对颠覆本身的酷儿化问题,即引用易装和酷儿作为表演颠覆的原型问题。
The dissertation focuses critically on Judith Butler’s (trans) gendered / queer performativity and her gender balance in the trilogy of gender, “Body weight - On the discourse of sex” and “Eradicating gender” In the theoretical construction of the performance of subversion. In the first part, the dissertation explores Butler’s theory of gender performance from the five aspects of reference and improvement of Austin’s speech act theory: First, extend speech events to gender composition; Second, treat declarative speech as behavioral speech; Third , Changing the performer’s implementation of authority / custom into a reference to law / convention; 4. Considering that behavioral speech is a dynamic process that is repeated and then narrated; and 5. Focusing on “frustrated” speech acts and subverting conventional Potential. The second part focuses on the discussion of Butler’s theory of gender performance, especially gender-based sexual disruption from within the conventional limitations. This article focuses on several prominent issues of gender performance theory: Butler’s post-structuralism approach to the feasibility of speech acts; performance (cross) gender / queer turn problems; internal subversion as the ultimate solution to gender problems Strategy issues; and archetypal subversion of the problem itself, that is, easy to use and queer as subversion of the prototype problem.