论文部分内容阅读
德国诗人斯特凡·格奥尔格在1889-1892年的巴黎经历对其创作的影响不可低估,法国象征主义诗人追求“为艺术而艺术”、崇奉诗与美以及以马拉美为中心的志同道合者的聚会,都与他心底深处的渴求一致;但在吸收他们的新美学并内化的过程中,格奥尔格也推崇并继承了古希腊罗马传统中的诗人之为先知与民众之师的精神,由此彰显了自己的不同追求。马拉美是伟大的美的祭司,而格奥尔格既追求美诗,又是先知,但对他而言,诗人之为美的祭司是诗人之为诗人的根本,诗人的创作之于其先知使命具有本源意义。
The influence of the German poet Stefan Georg on his creations during the period 1889-1892 can not be underestimated. The French symbolistic poets are pursuing “art for art”, worshiping poetry and beauty, and being centered on Malaria The gathering of like-minded people aligns with his deep-rooted cravings; but in absorbing and internalizing his new aesthetics, Georg also respects and inherits the poets as prophets and people in ancient Greek and Roman traditions Teacher’s spirit, thus highlighting their different pursuit. Mala is the great beauty of the priest, and Georg both pursuit of poetry, but also a prophet, but for him, the poet is the beauty of the priest is the poet as the poet’s fundamental poet creation in the prophet’s mission has its origin significance.