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近年来,全国戏曲创作渐趋冷落,编剧队伍呈现出青黄不接的景象。一批老剧作家也渐渐退出历史舞台,并逐渐为人们所淡忘。在这样的景况下,郑怀兴的创作势头却依然旺盛,甚至更显老到与成熟,这不能不说是一种奇迹。研究郑怀兴的创作,特别是他对创作的独到理解,是一件很有必要也很有意义的事。我以为,郑怀兴的戏剧创作不仅代表了福建剧作家在中国应有的位置,而且也代表了中国剧作家在世界文坛上应有的地位与高度。他的创作是极具中国特
In recent years, the national drama creation is getting cold and cold, and the screenwriting team shows a clear picture. A group of old playwright also gradually withdraw from the stage of history, and gradually forgotten by people. Under such circumstances, Zheng Huai-hing’s creative momentum is still strong, even more mature and mature, which can not be said is a miracle. To study Zheng Huai-xing’s creation, especially his unique understanding of creation, is a very necessary and meaningful thing. I think Zheng Huaixing’s drama creation not only represents the place where Fujian dramatists should have in China, but also represents the due status and height of Chinese dramatists in the world literary world. His creation is very Chinese special