把人物演活把故事说好——从《花嫁巫娘》到《巾帼·华丽缘》

• 作 者: 施如芳
• 出 处: 东方艺术
• 发表日期: 2013年S2期

豫剧在台湾扎根、演化了六十年,我本来纯粹是一个看戏爱戏、仰慕“豫剧皇后”王海玲的观众,没想到有一天,台湾豫剧团找上我,嘱我为王海玲老师从艺五十周年,提供一个有里程碑意味的剧本。剧团把这个纪念性的时刻,托付给不会说河南话、与豫剧素无渊源的我,我就这样开始写起豫剧来了。首先是2010年的《花嫁巫娘》。《花》最初的想法,聚焦在:对一个演了五十年戏的旦角演员,还有什么角色够新奇,可以挑战她?第一直觉,我想为王海玲写一个恰到其“好处”的熟女角色。但在汉族背景下,女人能做

Opera was rooted in Taiwan and evolved for 60 years. I was originally a spectator and admirer of “Queen of the Opera” Wang Hailing. I did not expect one day that the Taiwan Opera Troupe came to see me and told me to learn from Wang Hailing Fiftieth Anniversary, providing a landmark script. The theater to the commemorative moment, entrusted to not speak Henan, Henan and no origin, I began to write a comedy. The first is the 2010 “Flower Marriage Witch.” The original idea of ​​“Flower” focuses on: What role can be challenged to a Dancing Corner actor who has acted for 50 years? First instinct, I would like to write a right for Wang Hailing. Mature role. But under the Han nationality, women can do it