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元四家之一的王蒙,浙江吴兴人,赵孟頫的外孙。元朝末年做过小官,后因战乱,弃官隐于余杭临平。明初出任泰安知州,被胡惟庸案牵累,死于狱中。王蒙的山水画层峦叠嶂,稠密苍茫,郁然深秀。笔墨似枯而润,他“乱头粗服”的表现方法,最大限度地发挥了用笔用墨的效能,他运用苍毛的、干渴的、蓬松的,以至笔尖到笔根各部分来充分表现南方植被浓郁葱翠的景色。就拿他最著名的《青卞隐居图》来说吧,画幅近处,涧水潺潺,迂回流入溪潭;大树秀姿蔽天,一老者曳杖步出幽径。中景,山峦隆
One of the four yuan Wang Meng, Zhejiang Wu Xingren, Zhao Mengfu’s grandson. Yuan Dynasty made a small officer in the last years, after the war, abandon officer hide Yuhang Linping. Ming Taoyuan Ming Zhou as Ming, Hu Weiyong case involved, died in prison. Wang Meng’s landscapes rise amidst overlapping mountains, dense and vast, still deep show. His ink seems to be dry and moist, his “superficial ” performance method, to maximize the effectiveness of ink pen, he uses the Cang Mao, thirsty, fluffy, and even pen to the pen Part of the southern vegetation to fully show the lush scenery. Take his most famous “Green Bian seclusion map”, for example, near the frame, gurgling streams, stream into stream Creek; tree show days, an old man walking stick out of the quiet path. Medium shot, mountain Long