论文部分内容阅读
指画,在中国传统中有着它悠久的谱系,唐代张颜远所著《历代名画记》就说道,当毕宏看到张璪作画唯用秃笔或以手摸素绢之时,便问其来历,张璪回答道:“外师造化,中得心源。”这导致毕宏搁笔而叹服!这个故事说出了以手指或身体直接作画,来自于外在的自然造化与内在心感的结合,并非简单易行,而是有着生命的内在机缘。后来还有明代吴伟等人也做指画,但历史上并没有留下他们的作品,因此指画真正的奠基者是铁岭的高其佩,其实继承八大山人与石涛表现主义画风的八怪都有走向行动的倾向,即走向绘画的边界,这也是中国绘画走向终结的时刻,因为绘画同样遇到了自身的极限,有着现代性的压力,放弃已有的笔
Finger painting, in the Chinese tradition has its long pedigree, the Tang Dynasty Zhang Yan far “famous paintings in mind,” said, when Bi Hong Zhang Zhang painting to see only bald pen or hand to touch the handkerchief, then ask the origin, Zhang 璪 replied: “This is the source of good fortune, in the heart of the source. ” This led Bi Hong excuse me! The story of direct painting with your fingers or body, from the external nature and inner feelings of the Combination, not simple, but has the inherent opportunity of life. Later, Wu Wei and others also made finger paintings in the Ming Dynasty. However, they did not leave their works in history. Therefore, the true founder of the painting is Gao Qipei of Tieling. In fact, they inherit the eight-shades of Bada Shanren and Shi Tao’s expressionist style All have the tendency to move toward the boundary of painting. This is also the moment when the Chinese painting is coming to an end. Because painting also encounters its own limits, it has the pressure of modernity and abandons the existing pen